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Conde de Lipa Ludwik Tarszeński Konarzenski, known as Conde de Lipa (Count of Lipa) (ca.1793 – October 24, 1871) was a Polish captain and photographer recognized for his participation in the November Uprising in Poland, and for his work as an early photographer and one of the first instructors of photography with his own photo schools in Spain. He was official photographer to the Queens of Spain and Portugal. ==Biography== Ludwik Tarszeński was born (according to his death certificate), in Lupko, province of Podlasc, Poland (possibly Lupki, Podlaskie, Poland) in 1793 or 1794, son of Benedicto Tarszeński Grande de Polonia and Tecla Konarcenski.〔Birth certificate of Enriqueta Ysabel Tarzenski de Voisins, daughter of the Conde of Lipa and Magdalena de Voisins, Puerto de Santa María, Cádiz, April 27, 1845〕 He became a captain in the Polish army. In 1830, he formed part of the November Uprising against the Russian Czar Nicholas I of Russia,〔Komitet Narodowy Polski, ''trudy Komitetu Całoroczne Narodowego Polskiego na dniu 8 grudnia 1831'', 1830. p. 121〕 led by Piotr Wysocki Along with thousands of émigrés, Tarszeński moved to France after the failed uprising.〔Karol Józef Teofil Estreicher, Stanisław Estreicher, ''Bibliografia polska: 19. stólecie; t. 1-5. A-Z. t. 6-7. Dopełnienia. A-Z'', Polska Akademia Umiejętności, 1880. p. 486〕 He probably resided at one point at Hôtel Lambert, along with other Polish exiles. By 1843 he lived in Seville (Sevilla), where he defended the city and Queen Isabel II from a siege by Antonio Wan-Halen, capturing two spies.〔Jose Amador de los Rios, ''Rise and defense of Sevilla'', Sevilla 1843. p. 29〕 That same year, he was named Knight of the Order of Isabel la Católica.〔Spain's National Historic Archive, STATE, 6329, Exp.127, 1843 ''()'', December 20, 2010〕 The following year, he married Magdalena de Voisins in the Parish of San Vicente, Sevilla. In 1847 he moved to Málaga, where he opened the first daguerrotype studio of the city.〔Juan Antonio Fernández Rivero, ''History of Photography in Málaga during the nineteenth century'', Ed. Miramar College, Málaga 1994〕 It’s likely that the Count of Lipa photographed the Duke of Montpensier during his visit to Malaga in 1849.〔Juan Antonio Fernández Rivero, ''History of Photography in Málaga during the nineteenth century'', Ed. Miramar College, Málaga 1994〕 He taught photography in Malaga, as he did in Sevilla, selling the latest photographic equipment imported from France. Many photographers in Spain learned from him, including Juan Antonio Ibáñez Martínez (b. 1812 Yecla, Murcia) and Amalia L. de López, the first professional female photographer in Spain (Jaen),〔Emilio Luis Lara López, ''Historia de la Fotografía en España, un Enfoque desde lo Global hasta lo Local. ''(), December 20, 2010''〕 and author of (one of the portraits of Conde de Lipa ) preserved. The Conde de Lipa was very involved in literary circles, and was the official photographer to both the Queen of Spain, Isabel II, and the Queen of Portugal, Maria II. In 1857, Pedro Antonio de Alarcón dedicates his novel '"¡Viva el Papa!" to Luis Farszeñski, Conde de Lipa.〔Isabel López Martínez, Eulalia Hernández Sánchez, ''Pedro Antonio de Alarcón en el Museo Universal'', Murcia, 1986, p. 25〕 In 1861, he participated in one of the many literary circles in Seville, with the reading of the ode "To Poland".〔''El Español'' newspaper, Madrid, June 12, 1861〕 The following year he gave "an elegant moire and satin album, with several photographs of the Holy Face" to Queen Isabel II, with the occasion of her visit to Jaén.〔Aristides Pongilioni and Francisco de Paula Hidalgo, ''Chronicle of SS.MM.y AA.RR journey to the provinces of Andalucia'', 1862, p. 374〕 By 1866 the Conde de Lipa was definitively the official photographer to Queen Isabel II, photographing the act of laying the first stone of the National Library of Spain in Madrid (Biblioteca Nacional de España en Madrid), on April 22, 1866 (). He later offered these photos for sale in his studio.〔''La Correspondencia de España'' newspaper, Madrid, April 5, 1866〕 The newspaper ''La Iberia'' speaks of “the magnificent museum the photographer Count of Lipa has in Atocha street, number 18 (Madrid)″.〔''La Iberia'', Madrid, April 20, 1866〕 The article also mentions the photographs he had taken of the collection of the Real Armería; however the photos preserved in the Spanish National Library of the Armería are labeled with Jean Laurent's company, which leads historians to believe Lipa's photographs ended in Laurent's collection. By 1868 he may have moved to Zafra, Badajoz. In November 1867, he took the oldest image that is preserved of Cáceres, of the inauguration of the works of the City Council.〔(La Arquitectura Fotografiada de Trujillo ), December 20, 2010〕 The next year he took the first picture of Jesus Nazareno of Cáceres.〔(Nazareno Caceres ), December 20, 2010〕 On October 24, 1871, "Luis Tarszensky y Konarzensky, conde de Lipa, native of Lupko, Podlasc province (Poland)", died in Zafra, Badajoz, at the age of 77 years, of chronic colitis. He was buried in the cemetery there.〔José María Lama, ''El instituto republicano. Política y educación en Zafra durante la II República”, 2011〕 He was survived by his wife Magdalena, his daughter Enriqueta, who married Manuel Hernández, of Zafra, and by his son Luis Tarszenski de Lipa y Voisins, who moved to Havana, Cuba, to teach Natural Sciences.〔ES.28079.AHN/2.2.1.72.5.3.3.6//ULTRAMAR,256,EXP.67, 1889 ''()'', December 20, 2010〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Conde de Lipa」の詳細全文を読む スポンサード リンク
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